Eddi Jones Projects was founded by Gregory Eddi Jones after seeing a need among artist friends for affordable, experienced help in navigating the contemporary photo world ecosystem.

For EJP, Gregory puts all his best talents to use as a photography writer, publisher, advocate, and project developer. He finds fulfilment as a supporting strength for friends and fellow artists, enjoys contributing to the success of photography organizations, and he simply likes to help in whatever ways he can.


To work with Eddi Jones Projects, drop an email with a short description of your project and goals.

Rates are artist friendly.

Gregory Eddi Jones is a photographic artist, writer, and publisher engaged with the contemporary photography ecosystem since 2010.

As an artist, he’s recently exhibited work at Glaz Festival, Assembly, Images Vevey, FotoFest, and Photo Miyota. His latest monograph, Promise Land, was published by SPBH Editions in 2021.

His work has been featured by VICE, The Guardian, Wallpaper, British Journal of Photography, LensCulture, 1000 Words, Elephant, IMA Magazine, and FOAM, among others. He was named a FOAM Talent in 2019, and has been previously shortlisted for the Paul Huf Award, Images Vevey Book Prize, and the PDN 30.

Jones’ self-published photobooks reside in dozens of institutional photo- and artist book collections, including libraries at MoMA, The Met, The Brooklyn Museum, Eastman Museum, V&A Museum, and others.

As a writer, Jones has contributed texts to Afterimage, FOAM, LensCulture, Unseen Magazine, and Paper Journal, and many others. Since January 2022, Jones has filled the role of Chief Writer & Editor for Fellowship, an NFT platform supporting the world’s most recognized photographic artists.

Jones was the Founder & Editor of In the In-Between from 2012 to 2021, and has overseen publication of hundreds of artist interviews, essays, and reviews in addition to organizing open calls, exhibitions, and book projects.

Recent News

December 2023
Magazine Cover
49/23 for Dear Dave, Magazine

November 2023
Festival Exhibition
Promise Land at Glaz

September 2023
Panel Talk
AI + Photography at Photofairs NY

May 2023
Group Exhibition
49/23 at Assembly

May 2023
Visiting Lecturer
Nearest Truth Workshops

March 2023
NFT Collection Release
49/23 with Assembly Curated

October 2022
Festival Exhibition
Promise Land at FotoFest

October 2022
Book Signing
Promise Land at Printed Matter

September 2022
Festival Exhibition
Promise Land at Images Vevey

August 2022
Workshop Leader
Photography on the Blockchain, FotoFest

July 2022
Festival Exhibition
Promise Land at Photo Miyota

April 2022
Workshop Leader
How to Work with NFTs, Self Publsh Be Happy

February 2022
NFT Collection Commission
Hanami Blocks with Obscura

November 2021
Book Signing
Promise Land at Offprint @ Paris Photo

October 2021
NFT Collection Release
Promise Land on OpenSea

October 2021
Virtual Exhibition
Promise Land on New Art City

September 2021
Group Exhibition
Promise Land at SPBH Lounge, Webber Gallery

September 2021
Monograph Published
Promise Land with SPBH Editions

June 2021
Fundraiser
Promise Land Kickstarter Campaign

Selected Writing

Essay: Questions on Photography’s New Artificial
Voyage
Dear Dave, Magazine, issue 34

Various Artist Texts
Fellowship

Review of Whirlpool by Jim Goldberg
Obscura Journal

Interview with Alec Soth
Obscura Journal

Interview with Joseph Dessler Costa
In the In-Between

Review of Vistas by Brea Souders
LensCulture

Review of The Earth will Come to Laugh and Feast by Roger Ballen
LensCulture

Conversation with David Campany
In the In-Between

Review of Floodzone by Anastasia Samoylova
LensCulture

Review of psychic pictures by Zach Nader
In the In-Between

Interview with Juan Brenner
Paper Journal

Conversation with Lucas Blalock
In the In-Between

Interview with Paul Mpagi Sepuya
In the In-Between

Review of Human Nature by Lucas Foglia
In the In-Between

Review of Alma by Keisha Scarville
In the In-Between

Review of Amusement Park by David Brandon Geeting In the In-Between